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I became a foreign correspondent because I wanted to find out how
the world works. When I was growing up, I liked to write and I wanted
to travel. I was interested in politics, too, like any other teenager
in the 1960s in America when so much was happening.
But it wasn’t until I had to register for the draft at 18
that it really hit me. There were big events and big issues out
there – the war in Vietnam, the Soviet invasion of Czechoslovakia,
Nixon in the White House, anti-war protests on college campuses
– and I was going to get caught up in the army’s net
and end up in the wrong place if I didn’t watch out. And the
only way to know what to do was to find out first what was going
on.
So I began to read whatever I could find about world politics. Pretty
soon, I was a news junkie. I especially liked this one radio station
in New York, WBAI, where they used to have a nightly war report
and they broadcast everything they could find about Vietnam.
A lot of their material came from non-American sources. They used
to read out translations of long reports from Hanoi in Le Monde
or Svenska Dagbladet, anything they could find to get around the
Washington spin in the American media. It fascinated me to think
there were people out there who got paid to go to strange places
and explain what was happening. They were showing me how the world
worked.
I wanted to do that, too, both to find out things for myself and
to explain them to others. Luckily, in the end, I didn’t have
to go to Vietnam. But my direction was set. I started going around
the world.
I didn’t set out to cover wars or hot spots. In fact, I was
pretty allergic to anything military at first, because I associated
it with all that I had rejected in Vietnam-era America. But the
assignments came to me.
I was posted to Pakistan and the Afghan war was part of my beat.
I had to learn about warfare and weapons, I had to talk to military
attaches and spooks and, most of all, I had to talk to the Afghan
guerrillas themselves.
These were men whose lives were torn apart by the war, their families
had to flee to Pakistan and they had to devote the best years of
their lives to fighting a steep uphill battle against the Soviet
superpower. It seemed gruesome and futile, and yet they did it with
a commitment I certainly would not have had if I’d gone to
Vietnam. It made war far more complex than I had thought.
Of course, they were motivated by politics and nationalism and
anger and all those testosterone-laden things that make men stand
up and fight. But they were also motivated by their faith.
One of the things that impressed me most during my time covering
the Afghan war was a comment a political officer of one of the Mujahideen
parties made when he explained why the Afghans fought against such
daunting odds. It was their destiny to defend their customs and
their religion, they believed. He looked me in the eye and said:
“You westerners think you’re free – we Muslims
know we are not.”
I got to Kabul twice during that war and saw it from the other
side. The city was encircled by the Mujahideen and on some nights
you stayed awake counting all the rockets coming in or going out.
There was a different swoosh depending on which direction they were
going in, and you got to recognize them pretty quickly.
Life seemed fairly normal during daylight hours, but things would
get tense as night fell. People lived on edge. They didn’t
know when a rocket would hit their house, or whether the mountain
men out there would finally come in and overrun their city.
The Mujahideen did win in the end, in 1992, and they proceeded
to destroy large parts of Kabul in their power struggles after their
victory. I only got to see the result 10 years later, after the
fall of the Taliban, but the result was still terrifying. These
were supposed to be the good guys, and look what they did to their
own people.
While I was in Pakistan, I was also sent at short notice to Sri
Lanka one time to help cover the unrest up in the north there. I
could only roughly say where Sri Lanka was on the map at the time,
but I hopped on a plane and flew out there. Two days later, I was
up in Jaffna interviewing wounded Tamils in an overcrowded hospital
and visiting the 24-hour funeral parlours whose storefronts were
all shot up during some gun battle.
The atmosphere was hair-raising. We never knew when the trigger-happy
Singhalese soldiers there were going to start shooting at anybody
in the street. When we walked home in the dark one night, people
opened their doors and begged us to come in and stay the night with
them because it wasn’t safe to be out. You said to yourself,
“Hey, I’ve got a wife and kid at home, what am I doing
here?”
One day, we were visiting a village and some boys insisted we go
with them to see something in the jungle nearby. We followed them
down a path and all of a sudden came upon this well with a man strung
up over it. He was just hanging there dead, with his eyes bulging
out and flies all over his head. It was grisly. We got conflicting
explanations of why he was killed – some said he was a police
informer, others that he was a rebel. It didn’t matter.
What struck me most was that this was evil. We journalists don’t
like the word evil, it sounds moralizing and subjective. I don't
use it in my reporting. But my personal opinion is that it fits
cases like this.
Here was a man who probably had a wife and children, and now he
was hanging over a well rotting. Whatever human dignity he’d
had was gone. His life was snuffed out and the village kids were
standing around giggling as if he’d never existed. I took
a long slow look at him. I’d seen wounded and dying Afghans
before but he was the first dead war victim I’d ever seen.
I kept thinking how senseless it all was.
Talk about senseless – two or three years later, I was visiting
the Red Cross hospital in Aranyaprathet, on the Thai-Cambodian border,
and I saw the section for young boys mutilated by landmines.
The Khmer Rouge used to round up the boys who were too young to
fight and force them at gunpoint to walk across minefields, like
human mine sweepers. They’d get their feet and legs blown
off, and then they’d be brought over the border to the bamboo
hospital in Aranyaprathet.
These kids were only 12 years old and already they were in wheelchairs.
When I was 12 years old, I was riding bikes and playing baseball
and going to school. Why was I born where I was and these boys born
where they were? Why is there so much evil and so much injustice?
Somewhere in those years in Asia, it struck me that I’d come
an awfully long way from the peaceful suburb where I’d grown
up.
I was brought up in the American Dream, in a nice, orderly, prosperous
society where we couldn’t imagine horrors like this. We lived
in privilege. These people were living on the edge of life and death.
The Afghans and Sri Lankans and Cambodians I interviewed for my
job lived in societies being torn apart by forces larger than themselves.
It was the opposite of what I had grown up with, and I have to admit
I found it fascinating to see how bad things could get when societies
fell apart.
The more I thought about this contrast, though, the more I realized
that war was also somehow a negative part of my picture-book 1950s
American suburb. We babyboomers grew up deep in the shadow of World
War Two. A lot of the men on the block had fought in the war. My
father went through terrible things as a front-line doctor with
the Marines in the Pacific. Those men came back home from that horror
and never wanted to see it again.
When I was an arrogant teenager, I thought these men had fled reality
for a suburban life of conformism and shallowness. I now appreciate
how much, in their own way, they wanted to stress the good after
seeing so much bad.
For the next 10 years or so, I lived in very comfortable places
and basically wrote about the problems of the rich. There were some
great stories there – especially the fall of the Berlin Wall,
which was the only really joyously happy extended story that I’ve
ever covered. But none of them had that life-and-death living-on-the-edge
quality I’d found in the Third World.
Then in 1999, almost by chance, I got sent to northern Albania
to write about the Kosovar refugees there. The NATO bombing of Serbia
was still going on when I got there, but it soon stopped and we
journalists followed the German army into Kosovo, to the city of
Prizren.
The first two or three days were heady stuff, with the Kosovar
Albanians celebrating their liberation and the Serbs leaving and
the KLA taking over, so I mostly stayed in town doing that. But
the story that we had to go out and get was the mass graves story.
There had been lots of talk of Serbian massacres of Albanians during
the bombing. The justification for NATO’s intervention was
humanitarian, to stop these killings. So we journalists had to go
find the grisly evidence. Two German journalists for Stern magazine
rushed out the first day to find mass graves – they were trying
to meet a tight deadline – and they got killed by Serbian
snipers hiding in the countryside.
There were also a lot of landmines out there too, we were told,
and frankly I was scared of them. So I was pretty wary of just driving
out into the countryside and looking for evidence of atrocities
to file for the next news cycle. But that was my job there and I
was ready to do it as best I could.
In the first few days, I cautiously went outside Prizren with German
and Dutch soldiers to see some massacre sites they’d found.
We saw parts of skeletons lying in the rubble of burned houses,
even dogs that had been shot dead. I took my notes and wrote about
them. It was all straightforward reporting.
One day, though, I thought I really had to go out and find my own
massacre site rather than just depend on what the soldiers or U.N.
people found. That sounds terrible, but that was the job –
there were a lot of journalists there so there was pressure to do
something original, not just follow the crowd.
So we drove through the countryside for a few hours, poked around
in a few destroyed villages and, sure enough, we came upon a little
cemetery that had a big section of dark freshly turned earth. It
was the size of a basketball court and it looked suspicious, so
we got out of the car and walked over to it.
There was a man standing nearby. He told us there were 100 to 150
bodies buried there. When I quizzed him about how he knew how many
there were there, he just said, "Walk over and see." Well,
I walked onto this fresh dirt and pretty soon saw a dismembered
knee sticking out. Then there was the top of a woman’s head
with her hair sticking out. The stench of death came wafting up
as the soft ground sank under your feet. It was disgusting.
As you walked along, you were obviously stepping right over decomposing
bodies. There was no way I could prove there were a hundred people
buried here, but I walked all around that field and the same smell
kept coming up out of the ground. There was clearly evidence of
a mass killing right beneath my feet.
It was like walking on evil.
When I got back to the man and my interpreter, she told me that
he came from the nearby village. His relatives had been burned in
the house and he was leaving the corpses unburied until the United
Nations could come and register it as a war crime. He said there
were five bodies, including two of his uncles who had worked in
Germany and built the house with their savings.
I said to my interpreter, "We have to go and see this one."
I couldn't prove there were one hundred people in this mass grave,
but I could write the personal stories of these five dead people.
I knew it would be powerful stuff.
The man was very reluctant but he finally took us to the house.
It was a beautiful new two-family house, but everything was burnt
on the inside. There were only piles of ash and charred wood where
the furniture used to be. As we went up the stairs, he kept on saying
"Up there, top floor."
On the top floor, there was a room where the roof had collapsed
in a fire and there were five burnt corpses lying in the rubble.
You could see the skulls, the ribs, the pelvises. The skin and most
of the muscles were burned away, but some muscles were still there,
roasted like twists of burnt hemp rope.
Very patiently, the man pointed from one corpse to the next and
said: "That's my uncle so-and-so. That's my uncle so-and-so.
That's my cousin." I wrote their stories down, filling page
after page of notes. I did it in a cold professional way –
just give me the facts, please. He made me take pictures of each
corpse to run them on our photo service. I did it, even though I
knew Reuters would never run such grisly stuff. It was grim, but
they weren't the first corpses I'd ever seen.
When he finally finished the story, we walked down the stairs,
out of the house and across the yard. The man and my interpreter
were talking in Albanian and I was behind them.
As I was walking across the yard, I tried to wrap up in my head
what I had just seen. It's a typical thing you do at the end of
a story. The lead paragraph popped into my head right away. This
had been those people's dream house, and now it was their grave.
And I just started to cry.
I never imagined I'd be so upset. I’d seen corpses all that
week. But it was the personal aspect that really hit me. I’d
lived a long time in Germany and I’d seen these poor Yugoslav
workers sweeping the streets to make money to send home. They did
it for a dream of a better life. And here were two men who had worked
so hard to build their dream house and what did they get for it.
I tried to write the story that night, but I was too upset to do
it justice.
So I got up at 5 o’clock the next morning and wrote it with
all the anger and bitterness I felt. I wanted to do some good for
this man, even if it was only telling his story so the world would
know how these people had suffered. By 8 o’clock, I was finished
and I sent it off to my editors. It was one of the most powerful
pieces I’ve ever written.
A few days later, I was back home in Western Europe. I couldn’t
sleep properly for the first two weeks, I kept on waking up thinking
about Kosovo. Even after that, it was about a month before I stopped
thinking about it and started to settle back into my normal life.
It wasn’t the shock of the burned bodies that haunted me
– I’d seen that hanged man back in Sri Lanka or the
wounded and maimed Afghans and Cambodians and didn’t lose
any sleep over them. No, it was the confrontation with unimaginable
evil that upset me so much.
I’m a Catholic. I learned about good and evil from the nuns
when I was a child … and I understand a lot more about it
now. I’d never had the evidence of evil piled up in front
of my face like that. It accumulated all during the week and culminated
in the dream house.
I was profoundly shaken and I wrestled in my mind with the concepts
of good and evil for months after that. I read about evil and I
talked about it with my closest friends. And for the first time
since I set out to see how the world worked, I said to myself that
I had now seen enough.
I didn’t set out to see just how evil humans could be, but
I had now seen it up close and I didn’t have to see it again.
I continued to go to hot spots now and then because I’m still
the curious journalist I’ve always been. But it has a different
quality for me personally now.
Kosovo made me realize that my response to war was not simply a
psychological shock set off by horrible things I saw. It was a moral
challenge to understand it and fit it into my view of the world.
In a situation like that, my response is framed by my faith as
a Christian. Some people might want to talk to a therapist who will
help them get over the horrors they saw. I’d rather talk to
a priest who can help me understand them more completely and reflect
on the nature of good and evil. I want to know what this means and
what I can do about it.
This is a religious response that probably goes against what most
journalists think. Journalism has a culture of scepticism and cynicism
and an assumption that everything can be explained. It goes against
the ethos of a journalist to say there are mysteries in life that
can't be explained. We assume there must be a reason somewhere and
we’ll find it if we look hard enough.
We also think that we’re just observers and we can leave
our stories behind us after we’ve filed them. But there are
mysteries in life like the evil we see in war and they’re
not just like the news that wraps tomorrow’s fish. And when
they come back to challenge us again and again, the best response
we can give is to do good however we can.
Of course, there isn’t a lot that I as an individual can
do about evil on the level I saw in Kosovo. There may not be a great
deal that I can do directly as a journalist either, because my reports
have to be balanced and I can’t just rattle on with my opinion
and get it through. That’s fine, I agree with that.
But there all kinds of good I can do in my private life to reaffirm
the positive things in life. And even in my job, just reporting
the facts can help. I don’t have to give a sermon about evil
(or, for that matter, about good). I can just show the evidence
I find and leave the reader to judge.
Some people think being a news agency correspondent must be limiting,
because you “can’t say what you think.” But I
can go to places in turmoil where other people aren’t allowed
and I can describe the situation to readers far away who want to
know what’s going on. It’s an enormous privilege and
a humbling one as well. In this small way, I can show them how the
world works.
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